Art of Music Production

CONTENTS ; SECTION ONE: THE THEORY ; CHAPTER ONE ; Types of Music Producers ; Functional Typologies ; Artist ; Auteur ; Facilitative ; Collaborative: ; Enablative ; Consultative ; In Summation ; Subset Typologies ; Analogous Structures ; Leadership Styles ; SECTION TWO: THE PRACTICE ; CHAPTER TWO ; Becoming a Music Producer ; How Do You Become a Music Producer? ; The Musician or Artist ; The Audio Engineer ; The Songwriter ; The DJ ; DIY ; Discoverer ; Entrepreneur ; Multipath ; Examples of producers from these backgrounds: ; Examples: musician ; Examples: engineer ; Examples: Songwriters ; Example: DJ ; Example: DIY ; Examples: Discoverer ; Examples: Entrepreneur ; Examples: Multipath ; Qualifications and Training ; Are Qualifications Necessary? ; What Is Helpful? ; How Much Technical Knowledge Do You Need? ; How Much Musical Knowledge Do You Need? ; What If You Have Neither Musical Nor Technical Skills? ; Making the Transition to Music Producer: ; The Door Is Open, Your Foot Is In, Now What? ; CHAPTER THREE ; Being a Music Producer ; The Day-to-Day Responsibilities and Process: ; The First Meeting: ; Administration ; Preproduction ; The Production Phase ; The Mix ; Other Perspectives ; Some Session Specifics: ; Recording Musicians Live In The Studio ; Recording an Orchestra or Big Band ; Overdubbing Live Musicians ; The Programmed Session ; Vocal Sessions ; Which Method Makes a Better Record-Live, Overdubbed or Computer? ; What Are 'They' Going To Expect Of You? ; The Artist? ; The Record Company? ; The Artist's Manager? ; CHAPTER FOUR ; What Are the Timeless Ingredients in a Hit? ; The Song (or Material) ; The Vocal ; The Arrangement ; The Performance ; The Engineering ; How Important Is The Mix Really? ; Timeliness ; The Heart ; Are These Rules To Which There Are Exceptions? ; CHAPTER FIVE ; What Can You Expect From a Career As A Producer? ; How Is Your Health? ; Why Do A&R People Hire You? ; If You're Hot? ; If You're Not Quite There Yet? ; If You Were Recently Hot? ; When The Night's Closing In? ; What Prevents Them From Coming Back To You? ; What Is The Best Way To Get Work? ; Branding, Marketing and Sales? ; Branding ; Marketing ; Sales ; The Practicalities of Branding, Marketing and Sales ; CHAPTER SIX ; Managers ; What is the Definition of the Term "Manager"? ; What Does A Producer Manager Do? ; What Does A Manager Cost ; Do They Earn Their Percentage? ; How Do You Avoid Getting Ripped Off By Your Manager? ; Could You Lose Work To Other Producers On The Manager's Roster? ; How Do You Define 'Best Manager' For You? ; How Can You Find Such A Person? ; How Do You Persuade Them To Take You On? ; Business Managers ; CHAPTER SEVEN ; The Producer's Relationships ; With the artist? ; Best Friends? ; Able To Fit In? ; Hang After Hours? ; Professional or Aloof? ; How Do You Tell Them Something Is Not Working? ; Where Does Your Responsibility Lie? ; To The Artist ; To The Record Company ; To Yourself ; To The Project ; What About Drugs and Alcohol? ; In the Studio? ; Outside of Working Hours? ; What if the Artist Does and You Do Not? ; What Do You Do When The Artist Becomes Difficult? ; What Do You Do When The Record Company is Unhappy? ; What Do You Do When The Artist's Manager Is Difficult ; CHAPTER EIGHT ; Lawyers ; What Changed to Make Hiring Attorney Less Viable For Producers ; How Much Will They Cost You? ; How Much Do You Really Need Them? ; How Much Should You Depend On Them? ; What Happens When They Get It Wrong? ; What Other Kinds of Things Can Go Wrong? ; What is a Typical Legal Process Leading Up to the Production? ; What Can Be Done To Protect Producers? ; CHAPTER NINE ; Challenges and Controversies ; Differences of Opinion ; The Endless Album ; Lack of Vision ; Micro-Vision ; The Singer Is Not Performing Well ; The Musicians Are Not Performing Well ; One of the Musicians Is Messing Up Every Take ; What Is Demo-itis or Rough Mix-itis? ; Near the End of the Album, Suddenly the Artist is Having Doubts ; The A&R Person Does Not Like the Record ; What Makes It Seem Like Hard Work? ; How Much Loyalty Can You Expect Within The Business? ; From The Artist ; First Girlfriend Syndrome ; From The A&R Person ; Final Word on Loyalty ; CHAPTER TEN ; Success And Money ; How Are Producers Paid? ; How Much Can a Producer Make? ; How Are Producer Royalties Calculated? ; Recoupment ; Payment From Record One ; Where does the money come from? ; Digital Download Royalties ; Sound Recording Performance Royalties ; Producers Who Also Write the Songs ; Summation ; How Many Producers Make Millions? ; The Terms ; Do Producers Earn Their Percentage? ; Major versus Independent Labels ; How will producers make money in the future? ; Can You Increase Your Chances Of Success? ; Credits ; Executive Producer ; Album Producer ; Producer ; Co-producer ; Associate Producer ; Additional Production By ; Multiple Producer Credits ; Vocal Production or Vocals Produced By ; Compilation Soundtrack Album Producer ; Strings (or any other instrument) Produced By ; What Is The Secret To Longevity? ; Add entrepreneur to your portfolio ; CHAPTER ELEVEN ; Why Are There So Few Women Producers? ; What we know ; Women Producers Today ; Some Women Producers in History ; Inconclusive Conclusion ; CHAPTER TWELVE ; Frequently Asked Questions ; How Much Is Learned; How Much Is Natural Ability? ; How Do You Pick The Right Project? ; Should You Share in Song Writing Royalties? ; New Versus Established Artists? ; What Is Involved In Being An Independent Or Freelance Producer? ; What About Being a Staff Producer? ; What Are The Best Moments? ; Can You Successfully Genre Hop? ; Advantages And Disadvantages ; Who Has Done It? ; How Stable is a Producer's Career? ; How does a production career end? ; Making Plans And When? ; What Do Producers Do When Work Starts to Slow Down? ; Why Do People Want To Produce Records? ; Why Do People Want To Make Records At All? ; Do You Know When You Have Produced A Hit? ; How Do Producers Feel About Remixers? ; What's The Remixer's Point Of View? ; How do A&R People View Remixes? ; What Is The 'Sophomore Slump'? ; Digital versus Analog ; CHAPTER THIRTEEN ; Working Outside The Mainstream? ; Classical ; Jazz ; Country ; Traditional, Folk, Roots And World Music ; Children's Music ; Regional Producers ; CHAPTER FOURTEEN ; Where Are We? How Did We Get Here? Where Are We Going? ; Will Mobile Modify the Internet That Crippled Cable But Vivified Video Which Killed the Radio Star? ; How Did We Get Here? ; The Revolution Continues ; What Does This Mean To The Professional Music Producer? ; Where Are We Going? ; Revenue Streams Are Multiplying ; Will We Even Need Labels In The Future? ; Charts ; Marketing ; Will Music Producers Survive The Revolution? ; CHAPTER FIFTEEN ; Conclusion ; What If ; The Final Cut ; Glossary ; Index ; About the Author ; Notes ; Bibliography

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• Técnicas de Música / Música tutoriais
• Gravação e reprodução musical
• Orientação de carreiras
• Indústria musical